I received notice today that the script for the audio theatre adaption of Last Night at the Ha-Ra received The Best Genre Script award by PRIX ROYAL Paris Screenplay Awards for 2020 Season IX. Now that was a nice piece news after a year of challenges and complications for this project; for most everyone’s projects this year.
The Last Night theatrical recording is working its way through post-production now, in the hands of Dan Logan, producer of the fully casted script recording and sound effects, and Russel Cottier, who is massaging the original album that we recorded in 2018 for the theatrical release. Early cuts are incredibly impressive and I’m excited about about getting this out in early 2021. We had hoped for this fall, but COVID had a way of plaguing the best of plans. We remain undaunted.
What’s next? Here is where things get interesting. I’m a big believer in the future possibilities of Virtual Reality (VR) in entertainment. The hook was set back in 2015. I was sitting in a San Francisco cafe and got to chatting with a product evangelist from Oculus, which has done much of the pioneering work in VR. I allowed him to fit me up with a headset in the cafe and lead me through a couple of programs, one being set in a theatre. (Here’s a blog post I wrote of that week, with a photo of him in the headset at the bottom.) Fast forward to 2020, I’m thinking of how to make this musical really sing; how to bring the viewer deeper into the drama and songs of my piece. Light bulb goes on, brightly.
Imagine this: you’re not enjoying the Last Night at the Ha-Ra musical on a 2-D screen or 3-D stage. You are IN THE BAR, surrounded by the characters, and immersed in the sound and action. Now that would be intense. That’s where we’re going. Please stay posted.
I wish everyone a safe end to a very unsafe year. There’s a sunrise ahead and we’re all ready to bask in its glory.